The Mistborn Trilogy, a Fantasy Favorite

Mistborn Trilogy Boxed Set by Brandon Sanderson
My rating: 4 of 5 stars

Brandon Sanderson has some sort of twisted brain that allows him to come up with the most interesting and unique magic systems. I'd recommend the Mistborn trilogy for that reason alone--to walk around in a world created by that gifted brain and see what it can do.
The trilogy isn't perfect. It seemed a bit slow at times and some of the characters weren't developed enough for me. Kelsier's crew members, especially in the first book, seemed to blend together. It took me quite a while to remember who they were and what they could do.
Other characters, though, felt quite real and I was surprised how much I came to care about a certain Kandra (who shall remain nameless for spoilers sake).
And then there are the endings--Sanderson definitely has a knack for finishing a book in a surprising but satisfying way. If the books could be judged by that alone, I'd give them all five stars.

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Top Shelf, Bonus Selection--The Harry Potter Series

I couldn't limit my top shelf choices to ten. And maybe this one's a gimmee. Books that I'll reread have characters that feel like friends, a vivid setting that draws me back, and a core to it that helps me see a truth in a different way. For me, the Harry Potter series has all that, perhaps more so than any other book on my top shelf.  

Some adults might be embarrassed to admit that. After all, this was a series written about and for children. However, I'll take light and truth wherever I find it, in most any type of literature. And I did find it here, in this sometimes dark and painful tale about witches and wizards.
An example seems in order. There's a scene where Harry and Dumbledore discuss a certain prophesy that Harry, as The Chosen One, is supposed to fulfill. Harry feels hemmed in, coerced by the words, as though, because it's been foreseen, he has no say. However, Dumbledore helps Harry see that the prophesy doesn't really matter. Harry would choose to do that thing whether or not it had been predicted--and not because he would have to do it, because he would want to.  
Upon reading that passage, I thought of my hero, my Savior. It had never occurred to me to consider what he might have done had he not known of the prophesies about his life. Would he still have made the choices he did? 
Of course, I reflected, he would have. He didn't choose to suffer and die because he was supposed to or because it was a duty. He did it because he loved us, and he would have done it even without the prophesies. 
That realization filled me with gratitude, not only for what my hero did, but for who he was. He truly was worthy of emulation.
I have to thank J.K. Rowling for helping me better learn something I thought I already knew. And that example was only one of the bits of light I've found in this incredible series.  

Top Shelf, Selection Ten--The Thief and the Attolia Series

Eugenides, aka, the Queen's Thief, is another of my favorite literary characters. He takes some getting used to, though. In fact, while reading The Thief for the first time, I found myself wondering when the guy would stop whining. I'm not sure that he ever really did, but by the end, I didn't care. My esteem for him was that great.
He goes by the name of Gen in the first book of the sequence and that subterfuge--hiding his real name--is only the first of many to come. Although a complainer and a bit of a dandy, Eugenides is a master of political intrigue and behind the scenes maneuverings. He's also a believer in the gods of his Greece-like world--and for good reason. They speak to him and,  occasionally, interfere, which leads to some interesting insights for Eugenides and for the reader.
In her beautifully written Attolia series, Megan Whalen Turner has created a detailed and real-feeling world. Setting is important to me, one of the aspects of a book that determines whether I'll settle in for a second reading, but as much as I'm drawn to the time and place of Attolia, it's Gen that keeps pulling me back.
I can't wait to see what he'll do next. Ms. Turner, I'm waiting.

Top Shelf, Selection Nine--The Bartimaeus Trilogy

It's taking me a long time to count down the books on my top shelf. One of the reasons for the delay is that I'm waffling. Although I'm trying to keep my selection at ten, I have eleven favorites in mind. I occasionally think I should knock a selection off my list, but first, I decide to reread it, just to make sure. So that's what I've been doing for the past couple of weeks, rereading The Bartimaeus Trilogy, by Jonathan Stroud. And now I'm sure--it definitely belongs on my top shop, especially if the definition for that is a book that I'll reread multiple times.
In fact, through my rereading. I came to the conclusion that Bartimaeus is one of my favorite literary characters. He's ironically funny, sassy and smart, brutally honest and a bit of a romantic--although, he wouldn't like you to think that. There's a bit of tragic hero about him as well, considering that he's a slave.
If you haven't read The Bartimaeus Trilogy--and you really should--it takes place in a modern day London, controlled by magicians. That's what the magicians want people to believe, anyway. In actuallity, the magicians secretly enslave djinn--or demons--to do their work, which creates the illusion that they're performing magic.
The plot of the trilogy sees these magicians scheming and conniving with and against each other for--what else?--power. Bartimaeus and his magician/master, Nathaniel, end up tightly woven in the political and magical machinations, and Nathaniel does much of the power grabbing himself. Bartimaeus acts as a--usually unwanted--voice of stingingly clear reason.
The chapters of the book are written in alternating viewpoints. The Bartimaeus chapters are first person with footnotes when Bartimaeus, who's capable of multiple thoughts at once, interjects an explanation or snide remark. I laugh out loud at many of these, even after multiple readings.
The end of the book is always a little sad for me, because, truth be told, it's a bit abrupt. But mostly I'm sad becaue I'm not yet done spending time with Bartimaeus. Even Nathaniel inches his way into my heart by the end.
Until recently the only way to revisit my friends would be to read the trilogy over again. But I've just heard that a new Bartimaeus book is out. I'm not sure how that happened without my being first in line, but now that I know, I'm off to the bookstore to buy it. Right now.

Top Shelf, Selection Eight--Sabriel

From the moment the Abhorsen entered Death--about five pages into Sabriel--I was hooked. Here was a place I'd never been in a book. And I think that's why Sabriel has a spot on my top shelf. Garth Nix has opened a door into a world that's so fully realized and so unique, you can't help but want to go back, even if that world is not always pleasant.

Early in the story, Sabriel discovers that her father, the Abhorsen, is missing. When she first sets out to find him, her mission is personal, but she soon realizes just how much his services mean to the Old Kingdom. The Abhorsen keeps the Dead in check, keeps them banished to Death where they should be. Without him, the Dead are at the beck and call of others who would use them. And so Sabriel sets off on a dangerous journey, through the kingdom, and also through Death.

Normally, I might not enjoy a book where the undead walk, their fleshlesh joints grinding and clacking as they go. But this story also has many of the things I love--characters who become friends, a fascinating world with magic that feels real, heart-pumping action, and even a bit of romance.

I also love it when a good book has sequels. Lirael and Ahorsen are excellent follow-ups. But Mr. Nix, I really could use one more trip to the Old Kingdom.

Top Shelf, Selection Five--The Chronicles of Narnia

As a kid, I was fascinated with the idea of passing through a doorway into another world. One of those passages was in my grandma's attic. The floorboards didn't extend all the way to the eaves. They stopped three or four feet short, forming a kind of island, beyond which there were only beams and dust covered insulation. Don't step off the floorboards, my cousins and I were warned. And I always wondered what would happen if I did. Logic said that I would go crashing through and end up in a dusty heap on the floor below. But I was not a logical kid. I thought that stepping off would send me into another place, one called "Fay," because that word had been burned into the wood above the attic stairs. Fortunately, I never got brave enough to test the idea. But maybe bravery wasn't the issue. It might have been that I discovered my grandpa had a brother named Fay.

Reading C. S. Lewis's The Chronicles of Narnia is a much safer way to visit another world. I should know.  I've been there often. I love Lewis's Narnia. It's very much like I imagined the world beyond grandma's attic to be, and even better. I love the characters Narnia is peopled with, too. Puddleglum, with his grim view of life, is one of my favorites. As is Mrs. Beaver, the compulsive worrier, because she's something like me.

I also appreciate the Christian symbolism. I know that not everyone does, but I think it's the reason I keep going back to Narnia as an adult. I enjoy finding hidden truths in what I read. And sometimes, truths are hidden in plain sight. 

Top Shelf, Selection Four--The Dark is Rising sequence

I've long been a lover of Arthurian legend, so when I read Susan Cooper's  The Dark is Rising, I was captivated. Cooper's books don't retell the legends, though. She brings Merlin into modern day and adds depth and color to the story with a variety of Welsh myth that isn't usually equated with Arthur. She's also brought some closure to the old legends that I love. For me it has become part of Arthur's story.    

Arthur is just a side character, though, and his appearance in this sequence of books is brief. The real main character is Will Stanton, the seventh son of a seventh son. On his 11th birthday, Will is informed that he's one of the "Old Ones." Will and the reader discover just what that means through the course of the books as Will struggles against the rising of the Dark.

Cooper masterfully creates such a strong atmosphere of menance and impending doom that the reader really does feel the rising of the Dark. She does this with simple images like large black birds called rooks and snow, too much snow. . . falling . . .suffocating.

I suppose it's Susan Cooper's fault that I get nervous walking by a flock of crows. And if ever one of them eyes me,  I'm gone. And yet, I still return to the books where the rooks await.

No, I did not see the movie. When I saw the trailer with a Will who was clearly older than eleven, speaking with an American accent, I wrote it off as a bad job. But don't take my word for it.